Blackmagic Design Pocket Cinema Camera 6K G2 Compact film camera 35 mm Black

Product Information

Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. The URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12bit RAW workflows in 12K effortless. Simply rotate the Blackmagic Pocket Cinema Camera to shoot vertical aspect ratios such as 9:16 and 4:5. Youcan use commonly available photographic lenses that provide incredible creative choice and wonderful feature film quality lens effects. Itfeatures the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily.

Blackmagic Pocket Cinema Camera | Blackmagic Design

But the BMPCC 6K G2 doesn’t live in a traditional cinema world; it lives where the norms are run-and-gun style video and handheld video. As well as aclean feed of the image you can also view critical status information such as frame guides and more. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Theon screen HUD rotates so critical information, such as frame rate, shutter angle and frame guides, are easy to view, even when the camera’s turned upside down! Made from lightweight carbon fiber polycarbonate composite, the camera features amultifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips.The Blackmagic Pocket Cinema Camera can be used in crash cam boxes, mounted on vehicles, lighting rigs, cranes and more using the 1/4" thread mounts on the top and bottom of the chassis. The optional Blackmagic Pocket Battery Grip lets you replace the 4K model’s standard LP‑E6 battery with two L‑series batteries. With 3models, you can choose between EF or MFT lenses, making Blackmagic Pocket Cinema Camera compatible with the largest range and most popular lenses in the world! Blackmagic cameras produce excellent-looking video, especially for those working with their footage in Resolve.

Blackmagic Pocket Cinema Camera – Accessories | Blackmagic Design Blackmagic Pocket Cinema Camera – Accessories | Blackmagic Design

URSA Mini Pro features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. TheBlackmagic Pocket Camera Battery Pro Grip adds two extra NP-F570 batteries to the 6K G2 and 6K Pro for over 3hours of shooting on asingle charge. The BMPCC 6K G2 will shoot in several ProRes formats, but Blackmagic eeks the most quality out of its sensor with its RAW format. While some systems are more successful than others at pulling off fast video focus, they all do surprisingly well, especially with human subjects. Italso saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality!

Thelightweight Blackmagic Pocket Cinema Camera makes it easy to move around and hold the gimbal, giving you complete independence to get breathtakingly smooth cinematic shots that would be impossible with alarger heavierrig! The built in proximity sensor activates the viewfinder, as well as switches off the LCD touchscreen. At its core, it’s the same cinema camera as the bigger URSA and any Blackmagic user can seamlessly transition between the two without much adjustment. When working in Blackmagic RAW, you can record over an hour of full cinematic quality footage in 4K on asingle 256GB SD UHS‑II card.

Blackmagic Pocket Cinema Camera Blackmagic Pocket Cinema Camera

You can quickly switch between PL, EF and Fmount lenses on the URSA Mini Pro 12K, as well as B4 lenses on the URSA Mini Pro 4. mm video camera style microphone input, headphone connection and aprofessional locking DC power connector! The range of products is impressive, and it’s possible to create an entire editing studio out of almost nothing but BlackMagic offerings. With in-body stabilization and stabilized lenses, a cinematographer can get good stabilization in-camera without worrying about post-processing. Youget advanced features such as 4K, 6K G2 or 6K Pro models, large 5" LCD for easy focus, SD card and CFast media, external USB-C media disk recording, EF or MFT lens mounts and more!

Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size.