Theatre of Marvels: A thrilling and absorbing tale set in Victorian London

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In 1998, after completing the artwork for From Hell, Moore played the CD recording to artist Eddie Campbell, who immediately asked if he could do a pictorial interpretation; this was self-published by Campbell in 1999. [5] In 2005, it was reprinted as part of Moore and Campbell's A Disease of Language. Warren Ellis called it an "excellent adaptation." [1]

Theatre of Marvels: A thrilling and absorbing tale set in Theatre of Marvels: A thrilling and absorbing tale set in

Dillsworth's depiction of Victorian London is detailed and accurate. Her character Zillah brings to the fore a part of Victorian London's population whose lives have been too little represented in historical fiction set in this era. If you're looking for an historical novel that has a gripping plot and simultaneously offers complex questions about identity and justice, Theatre of Marvels will delight you. A startling, original and utterly compelling novel which subtly navigates the core issues of race, gender and class' MARY CHAMBERLAIN, author of The Dressmaker of Dachau But when a new stage act disappears, Zillah is haunted by a feeling something’s amiss. Her pursuit of the truth leads her into the underbelly of the city, as she seeks the help of notorious criminals from her past whilst being torn between two wealthy suitors. Zillah is strong willed and defiant, yet her ambition has driven her straight into the arms of the society's elite, who exploit her differences and turn a blind eye when she voices her discomfort. It takes bumping into Lucien Winters, an ex-slave who now runs his own business and spends his time helping other, less fortunate people, for Zillah to begin to learn more about her heritage and form her own opinions. Rising up the echelons of society is everything Zillah has ever dreamed of. But when a new stage act disappears, Zillah is haunted by a feeling that something is amiss. Is the woman in danger?I love some of the characters in the book and equally feel total unease towards others. The amicable Barky being a particular favorite. The writer is very successful in evoking your emotions towards most of the characters while the duality and complexity of the characters are beautifully portrayed. Zillah is a great character equally vulnerable and strong at times as she questions her own place in society. This was absolutely incredible! It’s richly detailed, emotionally thought provoking and utterly addictive, I literally sped through most of it in a single evening, a true testament to Dillsworth’s exceptional writing skills. Zillah was certainly the star of this story and her determination was not only admirable but very brave. I was pleased with how her story turned out and the independence she gained but I also felt sorry for the love she had lost on more than one occasion. Barky was my favourite character, the protective nature in him and how he helped Zillah just melted my heart. Theatre of Marvels is a fascinating, empowering story of a young woman's search for identity and justice in Victorian London, a world which Lianne Dillsworth evokes so richly. A deliciously immersive tale, Theatre of Marvels whisks you on an unforgettable journey across Victorian London in this bold exploration of gothic spectacle.

Theatre of Marvels | Lianne Dillsworth | 9781529151459 Theatre of Marvels | Lianne Dillsworth | 9781529151459

As for the writing itself. There were parts where it felt clunky and off from the rest of the story. The characters while well flushed out had relationships that were either hastily developed or just not there except I will say that the relationship Zillah had with the Leopard Lady and Barky was really well fleshed out and I loved it. I also think the ending was rushed and could have been longer to truly get some messages across. For me Victorian England is the perfect setting for a novel and premise of this book seemed right up my street. The group's initial, self-titled "working" occurred in 1994. It was released on CD in 1996 on the Cleopatra label, (just a week after Birth Caul), and re-released in limited form in 1999/2000. [2] The "most overtly occult," it was an exploration of magic, Glycon (a Roman snake deity) and "a tour of the wild magic of the London area the piece was being performed in." [1]The novel is effectively evocative of the Victorian era and rich in period detail. Despite this, it always remains pacey, keeping readers on their toes with a good dose of intrigue and plenty of twists. A few threads feel somewhat rushed towards the end, as the narrative skirts on the edge of melodrama, but on the whole, Dillsworth balances the various characters and plot points well by always keeping her spirited heroine at the story's heart... continued

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This was performed on 2 February 2001 at The Purcell rooms as part of the "Tygers of Wrath" evening of readings and performances celebrating the life of William Blake. [9] Moore and Perkins performed alongside Jah Wobble and Billy Bragg. In 2001, it was adapted into comic-form by frequent collaborator Eddie Campbell, and in 2006 was reprinted as part of the pair's A Disease of Language. A story that shines a spotlight into the shadows of the 19th century, while also exploring very relevant themes of identity. So fantastic to read a novel that centres POC in the Victorian era. Loved it!' SAARA EL-ARIFI, author of The Final Strife Being a young woman in a time and place where race, gender and class determined a person's worth, Zillah discovers a cruelty among people; while she tries to find herself and fight for a place among everyone, she fights for others whose voice is taken away. She doesn't turn a blind eye to injustice unlike other characters in the book and she's not afraid to voice her thoughts. Zillah is a warrior in her own right. Theatre of Marvels is a compelling, big-hearted story that whips the reader along, and I loved seeing Victorian London through the eyes of its strong female protagonist' ROSIE ANDREWS, author of The LeviathanLoved Lianne Dillsworth's Theatre of Marvels. A gripping story about identity and belonging with a strong sense of place. Can't wait for everybody to meet Zillah who is such strong and nuanced heroine. - Laure Van Rensburg Caught in a labyrinth of dangerous truths, will Zillah face ruin - or will she be the maker of her fate? Fresh, original and full of atmosphere - a compelling story with a heroine I'll remember for a long time' FRANCES QUINN, author of The Smallest Man Theatre of Marvels is a fascinating, empowering story of a young woman's search for identity and justice in Victorian London, a world which Lianne Dillsworth evokes so richly.' There are rivalries with fellow actresses, and well-meaning Quakers who work toward a better society. Much of the characterisation is tissue-thin, however, and a few turns of phrase felt not of the time period (describing someone as being in a “pissy mood”; “If he was in this much of a funk there’d be no getting through to him. I might as well go to bed before he killed my mood completely.”). All told, this never lived up to its first paragraph –

Theatre of Marvels by Lianne Dillsworth | Goodreads

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over. A book begging to be read on the beach, with the sun warming the sand and salt in the air: pure escapism. You’re busy. So this video is less than one minute long. Press the PLAY button to enjoy a sneakpeek. A deliciously immersive tale, Theatre of Marvels whisks you on an unforgettable journey across Victorian London in this bold exploration of race, class and gothic spectacle. About This Edition ISBN: Theatre of Marvels from debut author Lianne Dillsworth promises Historical Fiction, Victorian London and a theatrical variety show... what's not to love?A deliciously immersive tale, Theatre of Marvels whisks you on an unforgettable journey across Victorian London in this bold exploration of race, class and gothic spectacle. The sheer level of historical accuracy was also really phenomenal and definitely sheds a light on a huge part of British history; involving marginalised groups that society as a whole has all but forgotten (such as The Sierra Leone Resettlement Scheme) which was incredibly eye opening. However, whilst this book may be a useful tool for an educator, for me it missed the mark. The writing was definitely dumbed down for the younger market, so much so that the language and experiences used were totally out of keeping for the period. The narrative was slow and the repetition spoilt the flow of the story.